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Your cart is empty.Digitally remastered and expanded reissue of this 1967 album by Mayall and his Bluesbreakers, the only studio album to feature future Fleetwood Mac leader Peter Green on guitar. Features an additional 14 tracks including studio cuts and radio sessions. 28 tracks total. Universal. 2006.
R.T.
Reviewed in Canada on November 14, 2024
Le problème c'est qu' il contient plus de 650Mb et il ne peux pas être lu sur un lecteur respectant le red book.
Cadillac Dug
Reviewed in Canada on October 5, 2024
Great tunes from one of the late, great pioneers of British blues so I highly recommend it.
Client d'
Reviewed in France on August 25, 2023
Un album incontournable ... mais quel bordel dans le moteur de recherche Amazon des disques vinyles , et il serait temps de revoir tout çà , car sur la fnac.com c'est bien plus clarifié , mais hélas certains préparateurs de vos commandes sur le Fnac , vous expédient leurs vinyle usagés.
Victor H Lee
Reviewed in Canada on January 21, 2022
To me it’s a collector item.
LC9000
Reviewed in Canada on July 8, 2021
It's hard to follow up Clapton, but they did it well. Great performances. Recording is decent. The White vinyl is alright... Not my thing, but maybe it's yours. Pressing was relatively flat and noiseless. Comes with audiophile sleeve. A decent repress. If you like the "Beano" album, make no mistake, you'll liked this as well. Arguably the two best Blues Breakers albums.
Ángel Saúl Bustos Castillo
Reviewed in Mexico on July 10, 2021
Simplemente excelente el contenido de este disco doble; ya poseía el álbum original pero los añadidos valieron totalmente la pena :D
bradley bradshaw
Reviewed in Canada on February 6, 2021
Love this album
Robert Walsh
Reviewed in Canada on February 3, 2021
Great tunes from a truly brilliant bluesman.
Dean P.J.
Reviewed in Canada on December 10, 2016
A solid slab of English Blues and a very generous package (double the original running time with great singles, a couple of eps and some live material from that line-up). Half of the soon to be running Fleetwood Mac is here (Green & McVie) but the real star is Mayall. He provides most of the material, sings well enough and plays a mean harmonica. (His guitar playing is simply wimpy beside Green's blistering solos and chopping rhythms.) Although BLUESBREAKERS WITH ERIC CLAPTON is the more lauded release, A HARD ROAD is a master class in white-boy blues: how to write it, how to deliver it and, most importantly, how to feel it. Recommended.
fontra
Reviewed in Italy on November 29, 2015
ottimo white blues mostri sacri del genere fantastici suoni tutte canzoni top level quando davvero si sapeva fare la musica il CD è fantastico ha più di 20 tracce arrivato subito e in ottimo stato
Manuel Grosso Galvan
Reviewed in Spain on April 14, 2015
Todos estos discos de Mayall con Decca son un redescubrimiento del primer blues británico. Este es el que le sigue al disco de Mayall con Eric Clapto. Fue un disco de mucha presión para Peter Green pues las comparaciones precedieron a la edición del mismo. A decir verdad el de Clapton es mejor pero este descubre a un guitarrista extraordinario. Puro blues del mejor . Ademas se incluye el EP con Paul Butterfield que es una rareza ya que solo se edito en Inglaterra por cuestiones entre la casa Elecktra y Decca. Por si fuera poco incluye también algunos temas en vivo. Su precio estupendo y la calidad de la grabación lo hacen indispensables para esta primera época de Mayall
Mark Anderson
Reviewed in Canada on September 21, 2011
Several weeks ago I saw John Mayall perform at a small club in Victoria, B.C. It was a great show; the man is 78 years old and he can still outperform musicians less than a third of his age.During the show, Mayall played some of his 1960s material that I haven't listened to for years. It's great stuff so, over the last few weeks, I've been revisiting and rediscovering many of these classic 1960s British blues albums.It's easy to forget what a masterful player John Mayall was, and still is. This 1967 album was the only Mayall studio album to feature Peter Green on guitar. Green replaced Eric Clapton after Clapton left John Mayall's band to form Cream with Ginger Baker and Jack Bruce.Peter Green is often overlooked today. During the early 1970s he was diagnosed with schizophrenia and, due to his mental illness, he largely disappeared from the music scene. But listen to his playing on this album, especially on instumental tracks like The Stumble and The Super-Natural, and it's readily apparent why John Mayall considered him capable of filling Eric Clapton's spot as the Bluesbreakers' lead guitarist in 1967.After this album was released Peter Green left John Mayall's band and, a few years later, formed Fleetwood Mac with John Mayall's bass player John McVie and former Mayall drummer Mick Fleetwood. For more of Peter Green's playing, you might want to check out some early Fleetwood Mac albums like Then Play On. If you're not familiar with early Fleetwood Mac you may not realize that Santana's Black Magic Woman was not an original Santana composition; Santana covered a song written by Peter Green for the early incarnation of Fleetwood Mac. You may want to check out the Fleetwood Mac original.John Mayall's 1960s bands were incubators of talent. Among the many alumni of Mayall's band were Eric Clapton, Peter Green, Mick Taylor (later of the Rolling Stones), John McVie, Mick Fleetwood (of Fleetwood Mac) and many others.It's worthwhile to give these 1960s Mayall albums a listen or a re-listen. For those of you who haven't heard Mayall's 1960s material, you should check it out. This album is one of Mayall's best 1960s albums and this reissue has some bonus tracks that are worth having. If you're a blues fan, this album is certainly worth a listen.
Thorsten Munder
Reviewed in Germany on November 19, 2011
obwohl diese LP ( sag ich jetzt mal so und nicht CD ) schon in einer Zeit herauskam als ich noch in den Kindergarten ging ist diese Musik für mich Persöhnlich einfach nach wie vor das Non + Ultra und einfach Unübertrefflich gut , man überlege was es heute für technische Möglichkeiten gibt in Sachen Studiotechnik , wofür man in den 60èrn einen ganzen Raum voller " Instrumente brauchte passt heute auf eine Software CD und noch mehr ,jeder DJ der auf Gartenpartys Platten auflegt hat mit seinem Laptop mehr Möglichkeiten als 1967 sämtliche Keyboards die es da gab zusammen und trotzdem ist diese Musik einfach unübertroffen , man Spührt nach wie vor die Energie die damals Rüberkam wobei das damals warscheinlich ganz normal war das man halt so richtig loslegte egal ob man eine Platte aufnahm oder Live spielte sonst hätte keiner hingehört ! , man vergleiche das mit heute, auch die Songs die Texte usw. waren Klasse , es wahren eben Enthusiasten am Werk und keine " Superstars " ! ( für Bluesrock Liebhaber einfach ein muss ) speziell " Leaping Christine " oder aber auch " Hit the Highway " " Dust my Blues "" Ridin on the I&N " gefallen mir am liebsten egal ob Mono oder Stereo der Sound ,Digitally Remastert ist Sau gut ! nur zu Empfelen !!!
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