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Classic Duo Mono Transformer-Based Mic Preamp
You may only need a couple of mic preamps, but they need to be the very best. The ISA Two dual-mono mic pre is the ideal solution: two independent channels of the highest quality classic Focusrite mic pres, with line in and front-panel instrument inputs – no DI box required. Based on the legendary designs found in the Focusrite Forte and Studio Consoles, ISA Two is the ideal front-end for your rack.
Superb Sound Spanning Four Decades
Focusrite’s microphone preamplifiers go back to the original Focusrite ISA 110 modules, when Rupert Neve was commissioned by George Martin in 1985 to create a no-compromise channel strip for his Neve console. The Focusrite preamp is renowned for its transparency, but there's also that subtle warmth that transformer core saturation contributes. This seeming contradiction of warmth plus beautifully open, unrestricted high frequencies, is a classic hallmark of the mid '80s Focusrite designs. Combining the very best solid-state electronics with transformer coupling, Focusrite mic pres have played a key part in the recording of hundreds of hit records and they’re the choice of leading artists, producers, and engineers around the world.
ISA Two features the best mic input transformer available
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Lundahl LL1538 Mic Input Transformer
At the heart of the ISA Two is a pair of Lundahl LL1538 transformers. ISA products have relied on Lundahl from the beginning, since their components were originally specified in 1985. The LL1538 features a three-section winding, resulting in very low leakage inductance and, as a result, an extended frequency response. They’re encapsulated in mu-metal cans to shield them from stray magnetism. To this day the Lundahl transformer remains the best microphone input transformer available, and is used in every ISA Series mic pre.
ISA Two offers up to 80 dB of clean, distortion-free gain
Up To 80 dB Of Gain
ISA Two features two classic Focusrite mic preamps, with four impedance settings including the original ISA 110 setting. Variable input impedance allows you to go for an accurate, transparent sound or choose to highlight the character of your favorite vintage mic – and anywhere in between. With up to 80 dB of low-noise gain, ISA Two can perform in the most demanding situations - really bringing your ribbon, condenser, or moving coil mics to life.
ISA Two offers four choices of input impedance
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Variable Input Impedance
Four choices of input impedance, including the original ISA 110 value, allow you to match the preamp to your microphone, giving you the best possible sound. The impedance is selected using a switch on the front panel, and the impedance choice is remembered even once the unit is switched off and back on.
8-LED array displays the level of your signals
User-Calibrated Metering
Each channel has an eight-LED array to clearly display the level of your two signals. You can line up your analog levels with your converters or DAW by using the calibration knob on the rear panel. You will be safe in the knowledge that you have avoided clipping on the way in.
Your choice of signal processor can be switched in and out
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Insert Your Choice Of Processors
Each channel has a fully balanced insert point accessed via TRS sockets on the rear panel and activated with a front-panel button, so it’s easy to use outboard processors with the ISA Two. Just plug in your choice of EQ, compressor, or limiter. The 2.25-inch jack sockets on the front panel of ISA Two give you instant access to a transparent DI input. TRS line inputs are available on the rear panel too, and you can step through them instantly to select the one you want. Each channel of ISA Two has its own balanced insert point.
High-pass filter is ideal for cutting out unwanted sounds
Variable Cut-Off High-pass Filter
Built in, and easily accessed with its own large knob and illuminated button, is an extremely smooth-sounding 18 dB/octave high-pass filter of the same design as the original ISA 110 module. This is ideal for cutting out unwanted low-frequency sounds, and with a range of 16 to 420 Hz, it's easy to lose what you don’t want, and keep what you do.